Documentary production in the United States often appears bicoastal. On the east coast, the documentary corridor seems to run from Boston to Washington, D.C. On the west coast, it seems to run from San Francisco to San Diego.
This loose classification has its problems, of course. Documentary powerhouse Kartemquin Films is firmly rooted in Chicago and its vibrant media scene. AppalShop in Kentucky gives voice to rural cultures and their challenges. Other documentary organizations and festivals accomplish similar purposes in other pockets of the country.
Documentary production more specifically and media production more generally have never been that geographically centralized. In the early years of film experimentation and pre-Hollywood, around 1895-1915, media production happened across the country. Unfortunately, these regional histories remain underexplored.
Which brought me to a question: What about North Dakota?
Several contemporary documentaries offer different pictures of the state. Welcome to Leith examines what happens when a hate group moves to town. The Overnighters is set against the backdrop of the shale oil boom and its affects on labor. Jesus Camp explores an evangelical youth Christian camp that used to be located in the state.
But I sought older titles, and an internet search uncovered the 1913 documentary With the Students of the North Dakota Agricultural College. The IMDb page included a trade publication’s description:
One of Selig’s informing educational pictures, showing a notable trip of the students of the North Dakota Agricultural College on a trip through the great Northwest. The students show their practicability in caring for every detail on this trip.
Selig refers to The Selig Polyscope Company, which began in Chicago before moving to Los Angeles, and at the time was one of the largest makers of films. The page also mentions the distibutor, the generically named General Film Company.
The time period offers some other hints about the film. It is certainly in black and white. It has a short run time, perhaps ten minutes or less. Most likely, it is a travel film or a scenic, with a series of scenes instead of a developed, character-driven narrative.
And with that, the chase is on.