One of the key requirements for the web documentary assignment in my class is that my students focus on women and women’s issues in some way. My current university consists of an all-women’s liberal arts core, so this requirement connects with the school and its women-focused mission.
A handful of the shorts appearing in the Op-Docs series specifically focus on women and their stories, and this post offers a round-up of some of those stories.
Most films in that handful represent women facing challenges in some way.
One challenge centers on health-related issues. The recent “Midnight Three & Six” tells two stories, a mother and her Type I diabetic daughter. While the daughter tries to grow up with this life-threatening disease, the mother balances caretaking with worrying and hovering and letting go.
In “A Marriage to Remember“, a marriage takes the center role, but the filmmaker’s mother deteriorates quickly following a diagnosis of early-onset Alzheimer’s disease.
“Lost Every Day” shows how a woman lives with Developmental Topographical Disorientation, a condition that prevents her from having a sense of direction. “Flo: Portrait of a Street Photographer” shows Flo Fox’s dedication to her photography despite being nearly blind.
Other challenges are about economic instability and the future. In “Running on Fumes in North Dakota,” Jenny describes her difficult life as a truck driver in an isolated boom town. She sees working there as a means to making a better life for herself, but at the same time she fears for her own safety.
“Sarah’s Uncertain Path” offers a profile of a pregnant 15-year-old living in Missouri who wonders about her future. “The Caretaker” weaves together two women’s stories. Joesy is an undocumented immigrant from Fiji caring for the aging Haru Tsurumoto, 95. Though working long hours for low pay and facing an uncertain future, Joesy maintains a strong and meaningful relationship with Haru.
Several interesting women-centered Op-Docs are portraits. “VHS vs. Communism” offers a great example in showing the woman who illegally dubbed more than 3,000 films during the Communist Romania. Irina Margareta Nistor talks about the excitement the dubbing brought for her in that she could see the films and see a world outside her own country, though she ran the risk of getting caught and being punished with each dub she made.
Marie Wilcox is the last native speaker of the Wukchummi language, and she works to document the language before it is lost with her death. “Who Speaks Wukchummi?” follows her and her family’s preservation efforts.
A couple filmmakers turn the camera onto their own lives. Judith Helfand’s “Love and Stuff” is humorous and sad all at the same time. Upon her mother’s death, Helfand must clean out the home and decide what to keep. Helfand catalogs some items that she keeps: gloves, shoes, nail clippers, dentures (!). She also catalogs some of the items her mother keeps, including an entire elephant figurine collection. One of my favorite shots in the entire Op-Docs collection shows the elephants lined up on parade as the camera pans slowly down the line.
Another portrait, Paula Schargorodsky’s “35 and Single” explores the questions of children and marriage for herself through her upbringing and current status.